导演：霍尔·哈特利
主演：安德林妮·夏莉 罗伯特·约翰·伯克 马特·马洛伊 凯莉·莱卡特
状态：HD中字
剧情：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
7.0正片大卫·史崔梭德 马蒂娜·格德克 卡罗利妮·舒赫 卡特琳娜·塔巴赫 安妮特·弗埃尔 Herwig Andres Noah Wiechers Moritz Knapp Luis Kain 安娜·思迪布里克 Heiko Pinkowski Inez Björg David Julia Engelmann Wilfried Gliem Wolfgang Schwalm 根据哈沛·科可林Hape Kerkeling的书《我出去一下Ich bin dann mal weg》为基础改编，作者在书中描述了他在圣雅各之路（一条朝圣路线）上的旅程，以及他在那里遇到的人们的旅程。
8.0正片黄雨权 马晓辉 汪晴 《完美约会》讲述了一群为剩男剩女们实现爱情的“约会委托人”的故事。周岩曾是个风光无限的公关翘楚，坐拥美艳娇妻，可是在经历创业失败后不仅公司关门大吉，自己的俩任妻子也离他而去。而视周岩为死对头的刘洋，号
8.0正片周星驰 吴君如 成奎安 关秀媚 关佩琳 胡枫 王敏德 单立文 卢宛茵 石金水（周星驰 饰）与吴带娣（吴君如 饰）同在乡下长大，二人青梅竹马，也私定终生了。由于阿娣的父亲反对，两人不得不私奔到市区生活。刚开始金水的求职路十分不顺，处处碰壁，夫妻俩过着拮据的生活。得到工作后
HD中字丹·艾克罗伊德 Walter Levine 弗兰克·奥兹 18年后，当年因演唱会滋拢事件入狱的爱伍德终于出狱，但是昔日好友杰克已去逝，为了实现当年巡回的演唱梦想，他找到了一名十岁的孤儿巴斯特与酒保麦克，重组了蓝调兄弟乐团，打算南下路易西安那州，参加一场蓝
8.0超清乌比·戈德堡 凯茜·纳基麦 巴纳德·休斯 玛丽·威克斯 本片为1992年《修女也疯狂》的续集。狄乐丝（乌比·戈德堡 Whoopi Goldberg 饰）已经正成为了拉斯韦加斯的知名歌手，而在上集中与她同患难共欢乐的修女们也被调至一个社区学校服务。但是，这个社区学校的孩子们是个大麻烦。顽皮的他们与遵守规范的传统修女们简直是水火不容。不是无视修女们打瞌睡，就是醒来捣乱破坏了，令修女们颇为头疼。无可奈何的修女们只好请狄乐丝再度出山来管教这帮孩子。孩子们见到狄乐丝自然不服气，他们无视她，更想出各种鬼点子捉弄她。但是，很快学生们就领教了狄乐丝厉害。无论他们对她做了什
HD郑丹瑞 郑裕玲 钟楚红 文隽 李美凤 胡慧中 张坚庭 邓萃雯 32岁的梁宽（郑丹瑞 饰）结婚七年，但回首婚姻生活，他与妻子Ann（郑裕玲 饰）之间似乎只有无止尽的摩擦，同时在事业出色的妻子笼罩之下，梁宽的自卑感日日囤积。于是乎，决定找寻男性人生的梁宽与Ann协议
HD亚当·罗伯特·沃顿 雅各布·约瑟夫·沃顿 乔·曼特纳 拉腊·弗林·鲍尔 乔·潘托里亚诺 辛西娅·尼克松 弗雷德·多尔顿·汤普森 约翰·内威尔 马修·格拉夫 百万富翁卡尔维夫妇9个月大的儿子比克（亚当?罗伯特?沃顿 Adam Robert Worton 、雅各布?约瑟夫?沃顿 Jacob Joseph Worton 分饰）长得十分聪明可爱。卡维尔夫人想让她
10.0HD中字张子贤 金士杰 陈叶生 蒋沁芸 得知母亲急性尿毒症病发的郑德帅，与同母异父的弟弟魏小建正在为医药费发愁之际，意外看到“我是大明星”直播大赛的消息，参加即有机会获得500万奖金，兄弟俩蠢蠢欲动。幕后老板梅方正，私下与哥俩达成秘密协
7.0正片安德烈·米罗诺夫 尼内托·达沃利 安冬尼娅·桑提利 阿利耶罗·隆歇热 塔诺·希玛罗萨 呼啸而来的救护车拉来了病危的老太太，她漂亮的孙女奥利卡（安东尼娅 桑提利 Antonia Santilli 饰）匆忙赶来医院，老太太去世前告诉孙女一个天大的秘密，多年前一箱珠宝埋在俄罗斯。却被在病
HD中字巴斯特·基顿 多萝西·塞巴斯蒂安 Edward Earle 丽拉·海厄姆斯 William Bechtel Jack Byron 乔·波尔多 雷·库克 麦克·多林 帕特·哈蒙 Sydney Jarvis Theodore Lorch 汉克·曼 查尔斯·沙利文 Buster Keaton's final silent feature, as well as the final film in which MGM allowed him any c
